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The Alps as a place for living has a log tradition as an influential source shaping specific typologies and buildings. The specific conditions of the environment but also the very special atmosphere impact on both the design and the realisation of projects.

Often this used to be very practical and pragmatic, resulting in specific and highly adapted vernacular architecture. Almost each valley over the centuries developed a very typical and very local solution always in tight interdependance to the cultural practice of everyday live, the recoures and the environmental conditions.

Gondo (CH), multi-family house
Image taken from Kunst Merano Arte / Alpine landscape, photo: H. Nägele.

The perfect adaptation was essential for the living in the rough conditions of higher altitude and steeper meadows and long winters. With the introduction of technology and machinery this has changed to some extend and the requirements might have changed. However, the sensation, the intensity and the atmosphere are largely still the same. The mountains are still a special place.

Here the weather is more intense, the light is capable of changing the landscape and the seasons are real. Architecture still reflects this with outstanding projects created for very special conditions to fit with a context of vernacular heritage.

Alps Relief
Image taken from infrastruct, original taken from Wikimedia by Jide / The Alps shown as a relief shaded according to the elevation.

The Birkhauser publication Living in the Alps/Wohnraum Alpen/Abitare le Alpi: Nachhaltiger Wohnbau in den Bergen – zeitgenössische Wohnformen mit Perspektive summarises and documents a touring exhibition on the topic of architecture in the Alps with the same title. THe exhibition and the publication is lead by the Merano Arte institution. The Alps here are really the Alps and not as previous publications might have selected the alps as a the mountainous area of a country. Here the Alps is everything with hills from the French Mediterranean around Nice through Switzerland and Austria all the way to Vienna. A total of eight countries are involved in this area stretching from Monaco to Slovenia.

For each of the differentiated regions of this large area a selection of projects is presented together with an essay describing and characterising the specifics in both culture and architecture. The projects chosen for the exhibition and also documented in the publication are all communal forms of housing. Probably as new interpretation of the older vernacular model of the multigeneration household. It is clearly stated that the single family house is not part of the this publication.

Alps Relief
Image taken from Birkhauser / Kaiserau EA7 Residential Complex in Bozen, Trentino Suedtirol, by Atelier Christoph Mayr Fingerle.

With this clear definition of focus a focus on the communities and the living in the Alps consequently the contributors are also discussion aspects of regional and spatial planning in the different regions. In cities the aspects of planning at different scales is today common practice, in many regions of the Alps this is new.

The publication is in three languages German, Italian and English. It is a large scale catalogue with cute little booklets inside, each containing one of the essays. The photographs are well selected and full page prints bringing the aspects of very specific atmosphere across.

Gondo (CH), multi-family house
Image taken from Kunst Merano Arte / Gondo (CH), multi-family house, hotel, community hall, architects Durrer Linggi and Jürg Schmid, photo: H. Nägele.

Andreas Gottlieb Hempel explains about the publications: “The exhibition catalogue is an important contemporary document of urban planning, architecture, culture and sociological development in the Alpine region. Every South Tyrolean who is interested in the change of our times should have read it in order to better understand the architectural processes in our region.”

Kunst, M. ed., 2010. Living in the Alps/Wohnraum Alpen/Abitare le Alpi: Nachhaltiger Wohnbau in den Bergen – zeitgenössische Wohnformen mit Perspektive, Birkhauser Verlag AG.

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This will be some relate, but maybe thrown together rumbling over a trip to Lisbon with bits and pieces of a conference and various thoughts and discussion extracts that link to this particular context. Being on the road usually brings up numerous new perspectives and lines of thought that might initially not be directly related to anything in particular but later on might as well find their way into a more contextualised form.

Visiting places as a tourist can often be quite frustrating. You are always the outsider, you stand out unable to step in to the secrets of the place. Scratching the surface and trotting the main paths with your fellow visitors. The guides direct you to what ever thousands of visitors have seen before tell you a little about the history but never really what you want to know and leave you in the dark about the real local narratives and secrets.

Lisbon Oriente Station
Image taken from skyscraper city / The oriente train station in Lisbons new quarter built by Calatrava for the expo in 1998.

See a place and learning about a place are quite some different things. This visit to Lisbon makes no exemption and the best probably is to accept and keep on walking, with open eyes continuously processing and combining trying to fit the puzzle pieces together reshuffle and attempt a new combination, establishing links both in terms of orientation and local practice whilst sucking ip the atmosphere of a quite unfamiliar place.

Its usually the subtile elements and little details as compared to the familiar context that stand out the most. Here in Lisbon as compared to London these are the sound, the smell and the space of the city. The three are probably diametrically the opposite of what you’ll find in the UK and especially in London.

Strong smell are common in Lisbon and you can find them everywhere usually before if at all you will find out about the source. From pleasant to truly awful there is everything. In terms of the sound, based on the dramatic differences in terms of space, architecture and topography the sound scape appears to have very different qualities. There is a lot more transition noises from activities blending into one another. A lot more activities take place in semi public spaces with a lot of balconies and loggias being involved. Then there are taler building and different street with-building hight relations transporting sounds into upper levels of buildings you might not associate normally with a ground floor situation.

Spaces are vast here in Lisbon. From the airport gates to the tube stations, train stations or university reception areas, everything is triple the size one would possibly assigne for the usage. Very impressive and completely changing the way enclosures are navigated used and finally perceived. Spaces flow a lot more here.

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One of the talks at the 7VCT conference here at the Nova University was on Biomimicry and the promis of sustainable design based on such a concept. Various very beautiful and striking reference images were sown by Guorreiro during a tour do force of visually linking biological structures to urban physical form.

The occurring question of course immediately is as to how can one explain the linking of organic to man made other than visual similarities? Especially if we look at the creative capacity of people, the factors of decision making of the individual, also resulting in a cultor of space and space making.

Prof Mike Batty put it nicely in his comment during the sessions discussion time that in terms of energy consumption and optimisation of ‘the’ spatial problem this can be the result. With such a explanation the visual argument is extended and especially moves away from a direct comparison where people and cars in the road shall be see as blood cells transporting goods to the houses.

There is no doubt that there are similarities but there also are striking differences. Of this the capacity to take decision being one, but also the longevity of persistance being an example. if a mouse dies the same cells are very unlikely to reemerge as a mouse since the new baby mouse grows insed its mother, for the mouse being a mammal. However, a house is very likely to be built on the very same plot since this plot is guarded by boundary lines and the neighbouring property is likely to be owned by somebody else and at a very different stage of its live cycle (maybe there is a thing with local similarities though). This results in the discussion around boundary and finally organisational rules as sit would be extended to the discussion about culture and society in the next step. How do people live together in cities. Rules govern the structure, but they are not universal, its a trade off and locally emerged in regards to very specific conditions.

Taking this further these very same conditions however allow also for her consistence and persistance of the urban structure for a long times much beyond the individual inhabitant. Thus guaranteeing the built urban structure to develop and persist at a very different time scale. It is not down to a single planing act or the work of a generation that cities are stil there, but to the fact of social structure and the inscription of social structure manifested in physical form that lead to the continued existence of cities.

Cities rarely dye. Although there are some examples, there are even more stories of cities being rebuilt after great disasters. The earthquake of Lisbon being one or te fire of London. Nearly every city had its great fire actually , see the Wikipedia list of Fires. There is a very particular resilience about cities they don’t often die. Although thinking of it it might be the case that there are some examples to be fond.

The point is though that there are structures in place managing the functionality beyond the individual how ever important the single cities might be. This is what the pattern of activity and everyday structure is describing, inscribing activities in the urban morphology. THe word most overused in the past two years in this particular context is resilience. The capacity to withstand impacts and forces running against the everyday structure of the place.

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To come back to the paper presented at the conference about the similarities between organic as in natural and planned as in organised one of the examples was the plan of Lisbon before and after the earthquake of 1755. The intention was to show how similar ‘natural’ growth is to planned growth since the planned result bears similar to the previous setting. The question being what is order and how does it emerge.

Lisbon map before 1755
Image taken from strangemaps / The city of Lisbon just before the 1755 earthquake that destroyed most of the existing city. The square and the gates to the city are already established structures. So are the linear streets following the topographical conditions.

This comparison makes an interesting example for what the organisation of order can produce. However, to argue based on this that there are similarities between ‘natural’ growth and ‘planned’ growth.

There are clear restrictions linking the two stages of the urban fragments. The first image shows the old city of Lisbon just before the earthquake in 1755 and the second plan shows how the planners headed by Manuel da Maia laid out the rebuilding plan. The bold option with a complete restructuring of the Baixa area was chosen by the king as the plan to be implemented.

Lisbon 1785
Image taken from intbau / The city of Lisbon after the replanning following the 1755 earthquake that destroyed most of the existing city.

Still as seen in many examples of reconstruction efforts, for example in London after great fire and after the second world war bombing with some of Abercrombies plans for the restructuring of the city, there are a lot of constraints that can not just be swept away as if it were a fresh plan. Landownership and established routes as well as other infrastructure or topological conditions make the rebuilding more of a puzzle task than a grand design effort.

There are of course some top down examples of restructuring such a Hausmann’s Paris plan or maybe some water dam projects in China were restructuring at such a scale is taking place.

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Of course being in Lisbon makes it worth mentioning agani the visualisations developed by Pedro Cruz for the city traffic. These were covered in earlier posts HERE and HERE. The data stems forma survey covering traffic on the roads of Lisbon recorded over the period of one month. These animations developed in processing using explorative algorithms together with testing a range of analogies. Visually these representations are very captivating and stimulative in a number of ways. and on top it just loks pretty, very important too.

Having experienced a little bit the city of Lisbon over the past two days let me read these renderings in a different way. Some of the arteries have an distinct image attached and lend to read the network in relation to the topography and feel for urban identity.

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It is autumn, the leaves are falling and the sun stands low on the horizon. A great time with intensive colours, moody weather and the air feels heavier. Its time to wrap up and look back at the rest of a year that has passed. Wh not going back to spring with a similarly low sun and as intense colours but with a fresh and light tone to it.

Spring the time of waking and refreshing is also the time of shows and fairs. Christoph Kalck has created a stunning timeLapse film with the title Rummel, documenting and reinterpreting one of the very large German Spring fairs, the Stuttgarter Frühlingsfest. It is a colourful and bright showcase of a fairground, a maze of stalls and rides, shows and shops for about 1.4 million visitors.

lit location based literature research
Image by Christoph Kalck / One of the movie stills.

Over three days Kalck has portrayed scenes in and around the fairground capturing the rumble and zumble, the moment of surprise, the laughter and excitement. Its the joy and the fun this blinking, moving, sweet and sticky scenery conveys. He stayed on though and keept looking, he arrived early and stayed late and the movie captures it all. The setting up, the pulling of the curtain, the setting sun and the glowing, blinking and bustling lights to the dinging of the action and the moments the lights come allowing for the staff to wrap up, clean and pack. Only for it all to start again the next day.

lit location based literature research
Image by Christoph Kalck / One of the movie stills.

The film is by Christoph Kalck & Marcel Hampel with music and sounddesign by Sebastian Bartmann. Title was designed by Frank Rosenkränzer. The film has a facebook fan page of course.

It’s the persistance and precision of the chosen scenes, the intensity of the setting and the unreal scenery that brings this clip to live and lets memories of all sorts play out on such a bright and cut autumn day. Soon it will be spring again.

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No project is like the other, even if you run projects around the globe ranging in scale from big to large. Steven Holl currently is one of the very busy architects working on some large scale building projects in different countries from America, France to China.
The work grows and develops dramatically and already since his book Urbanisms was published last year a whole portfolio of projects can be added.

Hamsun Centre by Holl
Image taken from archicentral / Sketch by Steven Holl for the Knut Hamsun Centre in Norway.

This one here however is not one of them, this project is different and it has its own book. It is not about Steven Holl or his architecture. It is about something more, about a very successful synthesis for which architecture only plays a part.

Lars Mueller Publishers have published a new book ‘Hamsun, Holl, Hamarøy ‘on the Hamsun Centre, a museum or a cultural centre for the work of the important Norwegian writer Knut Hamsun, who won the Nobel Price in 1920 for his literature work “for his monumental work, Growth of the Soil“.

Hamsun Centre by Holl
Image taken from bustler / The Knut Hamsun Center, located in Hamarøy, Norway and designed by Steven Holl Architects, opened to the public on August 4, 2009.

The publications brings together the two characters Hamsun, Holl and adds the great landscape of Nordland. It is not a project that is calling for attention and screams, this is a very pure piece of work, very focused and dedicated.

Holl was contacted back in 1994 to consider working on this project and over fourteen years later the building was opened in 2009. It seems like a real ove story, its not the typical job and the publication emphasises this personal aspect to a great extend, witch makes it a great read.

Hamsun’s most famous text ‘Hunger‘ plays a very important role in the building Holl proposed and as Juhani Pallasmaa in the essay puts it: “past the stone foundations of the former vicarage, we suddenly arrive at the tower, which seems to be tossing and turning in search of vertical posture. The upright image of the building with its window -eyes and ochre hair around its top suggested a human figure.”

The landscape as mentioned, plays an important role too and features in each text contribution as either the context, but very often as the introduction, how the building is approaches is very central. Further more the landscape of course plays the dominating role in the sketches and photographs documenting the project. Its a journey, in the many meanings of the word, is the central theme. The fact that the site is above the Arctic Circle makes it just this bit more romantic.

Hamsun Centre by Holl
Image taken from Abitare / THe tower with one of the balconies and some of the context landscape.

The dedication goes through the project into the book. This publication will be your little treasure and you’ll find a special place for it on the shelf.

Langdalen, E.F. et al., 2010. Hamsun, Holl, Hamarøy, Baden: Lars Müller Publishers.

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Physicist Albert-László Barabási, well known for his work on network theory, has tuned his attention in a recent paper to the human movement. In the latest issue of Science 19 February 2010
Vol 327, Issue 5968, his paper ‘Limits of Predictability in Human Mobility‘ reports the research work undertaken with 50’000 anonymized mobile phone user data.
Barabási has don a lot of work on networks as early as 1999 were he coined the term Scale Free Networks, describing a type of networks with major hubs, such as for example the world wide web. In his barabasilab at Northeastern University, Centre for Complex Network Research a number of network related project are researched.


Image taken from The University of Chicago / Diagram of a scale-free network that contains components with a highly diverse level of connectivity. Some components form highly interconnected hubs, while other components have few connections, and there are many levels of interconnectivity in between.

However in this recent work the focus is on the predictability of human movement. The authors say: “By measuring the entropy of each individual’s trajectory, we find a 93% potential predictability in user mobility across the whole base. Despite the significant differences in the travel patterns, we find a remarkable lack of variability.” The work was intended to close a gap in the approaches to modeling human behavior. Despite personally we rarely perceive our actions as random, the existing models are largely based on the factors of random movement. The paper demonstrated that even though the activities, distances and motivations for individual movement might be very divers and different the predictability of an individuals location is not. They all have very similar predictability values, ranging between 80 % and 92 %. AOL News titles their article on the work “Study Makes It Official: People Are So Predictable” implying that this must be soooo boring.


Image taken from AOL News / These diagrams represent the movements of two mobile phone users. The one on the left shows that the person moved between 22 different cell towers during a three-month period, and placed 52 percent of his calls from one area; the other subject hit 76 spots, and was much less rooted.

This might be very surprising news for most people. The fact that there is so much less changing and spontaneity might seem unrealistic, but a similar impression was given by the data collected with the UrbanDiary project last year. Even though this was a really small sample, the fact that individuals travel most of the time along their known routes, between only a few hot spots clearly emerged. This can also be seen visualised in the What Shape are You? renders. Also Hagerstand’s work pointed in to this direction arguing that the ‘Constraints’ are too strong for too many out of rhythm activities.
Barabási already undertook similar work with mobile phone data in 2008, which war published as an article in nature, by Gonzalez MC, Hidalgo CA, Barabasi A-L. with the title ‘Understanding individual human mobility patterns’. In this article they analysed data of 100’000 mobile phones. Was the media coverage back then (two years) very much concerned about privacy issues related to the data source, for example NYTimes is this less of an issue. Nevertheless it is obvious that the researchers try to play it save by mentioning about ten times in the article that they work with anonymized data.
The argument is largely the same in both articles and the finding too. In both papers the researchers show their surprise about the outcome, that the movement can be predicted. However to my surprise they stick to their study and do not draw any strong links to routines and rhythms of personal habits. You can listen to a podcast where Barabási talks about this research.
In the more recent paper they conclude “At a more fundamental level, they also indicate that, despite our deep-rooted desire for change and spontaneity, our daily mobility is, in fact, characterized by a deep-rooted regularity.”
I believe that the former, spontaneity, is very much a cultural phenomenon similar to the urge to stay young. The later, regularity, is the provider of identity and orientation resulting in stability and safety and therefor fundamental to human everyday life. Interesting should be Barabási’s upcomming new book Burst on “The Hidden Patterns Behind Everything We Do”.

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We life in a fast world and a visual world. Information is consumed anytime everywhere. Information and with it knowledge has become one of the worlds resource. The battle around it is mainly about the visualisation.
In a stunning publication Nai Publishers have dedicated a book to one of the founders of our contemporary understanding of visualisation. Don’t worry if you haven’t known him before very few actually have. His name is Otto Neurath. The book with the title ‘Otto Neurath – The Language of the Global Polis‘ by Nader Vossoughain tells the story of this Austrian sociologist who did not fear any topic or occupation to follow his interest. Neurath is an incredible vital and versatile scholar, practitioner, politician, theoretician, developer or craftsman. What we maybe don’t know is his work, but remarkably it feels somewhat familiar, as if we’d known it.

Image by Otto Neurath, taken form gis and science where you can find a collection of Neurath’s illustrations.

The publication is in the tradition of Nai publishers a truly nice designed piece and it has this surprising twist to it, it is a hardcover but in the form of a paperback, I love it.
The book redraws Neurath’s life along his work and engagements. It puts a special focus on his collaborations with well known figures of his time, such as Le Corbusier or Corneis Van Eesteren. The later’s work was also currently published by Nai Publishers in the book ‘The Functional City‘ also reviewed on urbanTick (1, 2). The author has chosen to structure the book along three major topics under which Neurath’s work can be organised, community, democracy and globalism. It gives a good sense of the broadness of Neurath’s work and involvement. However it can be confusing as this structure is not chronological, but the content is still based on his life. So duplication and repetition can no be avoided. Nevertheless this also has an upside and can for the observant reader lead to some hidden ‘Pulp Fiction’ moments, were the same situation is seen from different vantage points.

Image by Gerd Arntz u. Otto Neurath, Collection International Institute of Social History, Amsterdam taken from artnews / Mengenvergleiche.

The title of the book basically already hints at most of the aspects of Neurath’s work. The ‘language’ points to Neurath’s work on a ‘language of symbols’ making knowledge and information accessible to all and with it empowering everyone to take part in social and political discussions and decisions. ‘Global’ has to be read in the sense of everyone, Neuraths vision as described in the book at a number of occasions really was to reach everyone, especially making data accessible to underprivileged groups of society. ‘Polis’ finally summarises Neurath’s interest for the city, settlement or aspects of spatial organisation of society in general. This is, as you have guessed, at the same time summarised the three chapters in a nutshell.

Image taken from the book ‘Otto Neurath – The Language of the Global Polis’ (p 64) / “Neurath felt that cut-outs allowed the masses to feel as though they were participating in the production of knowledge, which was central to his philosophy of reform in general”

But be aware the book is a lot richer and if it were a thriller the many twists and bends would be highlighted. And really this is what it is, because it is modelled on Neurath’s life there are jobs and projects that just didn’t work out, especially in connection with the war and other dramatical political changes in Europe at the time. Neurath seemed to have been involved in almost all of them. So don’t miss the section with his detailed biography that is attached towards the end. Together with the index, a section on detailed notes and epilogue a this is a publication that leaves little to desire.

In 2008 there was also an exhibition at Stroom den Haag on Otto Neurath curated by Nader Vossoughain. A lot of the content i still accessible on line, including a video interview with the curator.



The modern day version of Neurath’s icons or isotyes can be for example found at AIGA, the professional association for design, at the Isotype Institute or seen in use for a chart visualising the war in Iraq by the NYTimes.

As seen, still today, some will claim even more so, the visualisation is the very big topic. Together with the computer and finally with the internet increasingly unbelievable amounts on data a created, recreated and shared. Large collections only now with the contemporary technology become accessible. Recently the public claimed successfully to free data sources and open them up for public access, e.g. data in the UK and London specifically –London data store. Not that the general public can handle or understand all this information but currently they have the power to put on enough pressure. But globally visualisation is the hot topic. In all areas but also specifically in politics a traditional field of facts argumentation.

Vossoughian, N., 2008. Otto Neurath – The Language of the Global Polis, Rotterdam: NAi Publishers.
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A beautiful short film by Peter Kidger an ex Bartlett students – ‘the Berlin infection’ – is a a mixture of high resolution still photographs and 3D animation. It is an intriguing tale of identity and the assigning of it to particular objects of the urban context.
He produced it as part of his postgraduate diploma in architecture in the unit 15 at the Bartlett School of Architecture in 2006.
On his youtube page you can find some more animations of this kind.

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Last weeks the most disturbing science news headline was “How the city hurts your brain” circulating as new research that proves the evil of cities. The original article can be found at the Boston Globe.
It all starts with a very innocent introduction where the author says: “The City has always been an engine of intellectual life, from the 18th-century coffeehouses of London, where citizens gathered to discuss chemistry and radical politics, to the Left Bank bars of modern Paris, where Pablo Picasso held forth on modern art. Without the metropolis, we might not have had the great art of Shakespeare or James Joyce; even Einstein was inspired by commuter trains.” From this point it goes down hill. From spreading cholera to the argument that the before named artists eventually moved out of the city, concluding “ … [the city] it’s also a deeply unnatural and overwhelming place” We’ll that is a statement, DEEPLY UNNATURAL! However, as we try to grasp the extend of the devastating news, the authors are quick with analysis and of course solution. It is all down to the city affecting the brain and a few minutes on the busy street will blow your memory and you start suffering from reduced self control (what does that mean?). Again with a very pointy argument, “that’s why Picasso left Paris”. The excuse comes in the form of the acceptance that “The mind is a limited machine” while still concluding this, the first solution comes in the form of “One of the main forces at work is a stark lack of nature”. I am aware that this is not actually a solution , but rather an other analysis or hypothesis, but in its tone directly implies to be a solution. And it does not stop there it straight goes through the wall with the sledge hammer solving ALL! the problems: “…that hospital patients recover more quickly when they can see trees from their windows, and that women living in public housing are better able to focus when their apartment overlooks a grassy courtyard”.
WOW, now I feel much better and I am convinced we live in a better world.
It however comes to the first element I do actually very much agree with the authors, the fact that this kind of research comes exactly in time with the news (and of course the media coverage and interpretation) that now over 50% of the world’s population live in cities. Unfortunately it dives right back down with a sweet but unrealistic naive worldview of: “For a species that evolved to live in small, primate tribes on the African savannah, such a migration marks a dramatic shift. Instead of inhabiting wide-open spaces, we’re crowded into concrete jungles, surrounded by taxis, traffic, and millions of strangers.”

I think I stop here, because the article goes on for another four pages, I hope I have missed the point of the article and if some of you read it all through, please let me know what I missed. The ‘leave a comment’ field can be found at the end of the post.

But actually there is another reason to stop at this point, because this one point is very interesting and important. We are living in a mainly urbanised world. Most of us live in urban areas and rising. The UN predicts some 70-80% by 2050. “The United Nation Population Fund, UN agency, says in a new report that humanity will have to undergo a “revolution in thinking” to deal with a doubling of urban populations in Africa and Asia. The UN continues to say that the number of people in African and Asian cities will grow by 1.7 billion by the year 2030. And worldwide, the number of city dwellers will reach five billion or 60 per cent of the world’s population (citymayors)“
‘Revolution in thinking’ is probably a more appropriate suggestion than to point out how bad our (western) cities are. Western city here is important if not to say European, because this is what I believe the above article is referring to. Conditions in other ‘urban’ areas in the world are dramatically different from what westerners call ’a city’. And I mean, to dig out a cholera example is pathetic. According to Wikipedia the first cholera pandemic reached London and Paris in 1832, a second one in 1849, the third Europe skipped, fourth in 1854 and a fifth in 1866 that was locally very much condemned as by then London was just about to finish its new water and sewage system (I guess it is still the same, but that is another topic). However you can see that since 1866 dramatic chances in the urban environment were introduced. I am aware that I also imply a lot here, but to bring it across in a similar style: the city was a much worse place. (We all know that this is a very difficult way to express thought about historical events and while being aware of the implications of the distorted and constructed past as seen from the present,
it might be much more complex, but we’ll keep things simple her for today.) To come back to the new challenge of the dramatic growth in urban population – a doubling of the city population in Asia and Africa – another example might be of interest. Thinking back to the last urban crisis this latest and now upcoming reaction very much reminds me of Haussmann’s renovation of in Paris or Ebenezer Howard with the Garden City.In fact both came after the Cholera pandemics. I am pretty sure, actually I was only waiting for the first such news to appear, that we ill see a lot of reactions to the ‘city problem’ coming down a similar route as the article quoted in the beginning of this post. It is all bad and we have to reinvent to solve it. Urban designer will be very quick to jump to Howard’s idea of the Garden City to have a readymade solution. Someone will dig it out.

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Image from Wikipedia – as published in “Garden Cities of tomorrow”, Sonnenschein publishing, 1902

However to make it clear, I am not playing down the urgent and extend of the raising question. In the contrary, it is an urgent matter, especially because the urban planning profession in general and urban design and architecture (I add them here because they all think they can do both anyway) in particular is in an identity crisis with no consistent concepts available at present. The only thing that buzzes around is sustainability, but it’s got no content to it.

In an article on io9 Chanda Phelan presents how apocalyptic stories have changed in the past 200 years. She explains ”It’s not the idea of Ending itself that has faded – that will be around until we are actually mopped off the face of the Earth. It’s the actual moment of disaster, the blood and guts and fire, that has been losing ground in stories of the End. Post-apocalyptic fiction is a 200-year-old trend, and for 170 of those years, the ways writers imagined the end were pretty transparently a reflection of whatever was going on around them – nuclear war, environmental concerns, etc. In the mid-1990s, though, everything just turned into a big muddle. Suddenly, we’d get a post-apocalyptic world whose demise was never explained. It was just a big question mark.“ And she also points out that actually it was never about the end, but the new beginning. However she analyses that in the last 30 years there has been a decreasing interest in the why and how of the end, very often simply assuming that there was an end. Presumable, from my reading of it, the apocalypse was never about, it actually ends, but about narrating a sin or something stylised ‘problematic’ to actually urge people to change something in the present. Implying ”if you don’t behave now, something disastrous might, could possibly, eventually, maybe happen“. And in this sense skipping this part of the apocalypse is indeed a very dramatic change.

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Image by Stephanie Fox – How the Apocalypse Will Happen – A Literary Chart

In this sense the attitude to the posed urban growth question would be, let’s skip the growth, the infrastructure demand, logistics, flows, identity, morphology, material, organisation, atmosphere, form, transport, colour, work, resource, governing, social, knowledge, communication, finance, and so on question and just build a New Cities for some 80 million people or maybe better a set of Garden cities, each with some 58’246.1 residents ?

So what to do?

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The role of cycles and routines in culture have been explored in various aspects on this blog earlier. From early settlements to the concept of time in terms of units such as days, weeks and month.
One of the cultures that have throughout a very strong concept of repetition in the more literal sense is ancient Egypt, the culture of the Pharaohs. There is so much research on this culture out there and for Europe and especially Britain this has been a deep fascination for centuries. The British Museum is stuffed to the roof with artifacts and knowledge collected in Egypt.
What I want to look at is the “simple“ concept of the birth and death of the sun during the course of one day. Two elements in Egypt have had a fundamental impact on how the Egyptian culture has formed. This is on one hand the Nile as the life spending river that runs through the deathly desert from south to north and the sun that spends the warmth and makes the plants grow that travels from east to west. These two elements might also had a fundamental influence in how orientation and navigation was developed. (Yi-Fu Tuan (1974), Topophilia. Columbia University Press, New York) It is believed, that the Egyptian culture hated the darkness that arose together with the cold as soon as the sun has touched the horizon in the west. The dark and the cold were associated with death, just like the daily death of the sun. As an opposition to this there was the daily birth of the sun as it rose over the horizon in the east. For this miracle the Scarab beetle was responsible. The beetle was an important character that took care of the death and was associated with the Egyptian god, Khepri. He did take care of the sun and made sure, that after she died in the evening she was reborn in the morning in the east. To do so he rolled the sun just like a ball backwards along the sky, just like a Scarab beetle would roll a ball of dung. So the beetle rolled the son during the night from west to east. The Egyptian name for this important insect was ”Kheper“. The scarab beetle was also a symbol of rebirth after death. To believe in being reborn led to the mummification of the dead body, to preserve it for it’s next life. When the Egyptians mummified a body they would remove the heart and put a stone carved like the beetle in its place. Just like the sun would be reborn every day, also humans would be sent back from the death to be reborn. The idea of cycles and repetition as observed in nature was deeply embedded in the culture of ancient Egypt.

Image from labspaces.net

Some sort of visualization with a time lapse of the night sky.
Perseids from powrslave on Vimeo.

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